The sun is shining over the city today
in all its splendor, just as Alexander the Great must have brought
light to the city he founded 2,000 years ago. The city is almost
sparkling. A brisk, chilly wind is whipping frothy little waves in
the sea. It's so much easier to imagine this as a beautiful city a
couple thousand years ago, even a few decades ago, than it is now, as
I try to see past the grimy buildings. But, if you stand a bit away
from some of the buildings along the shoreline, the city is
luminescent. This is a magnificent bay. Alexandria, with a bit of
renovation and a big paint job, would be resplendent in no time.
Today is Mohammed's last day with us,
which leaves me with a bittersweet feeling. We're getting more and more
comfortable with each other. Will we ever see him again? But we
won't think about that now. There are too many questions to ask him.
Alexandria tram |
Noreen on the Alexandria tram |
The tram arrives and we climb aboard. These must be the very same trams that people were riding sixty years ago! It appears that nothing has changed except for the effects of aging.
Mohammed so obviously loves this city.
The guide books are full of its more recent history. Monty's Bar,
for example, at the Cecil Hotel, is where General Montgomery met with
other British officers to plan the battle that ousted the Nazis out
of Egypt. We had coffee last night in a café the poet Cavafy spent
hours in. Thinking about the many traces of thousands of ghosts once
living here, I ask Mohammed if he feels a sense of nostalgia when
looking at the buildings. I'm thinking of all the expats who once
populated this city.
I've started reading a lively, amusing
book I bought about the Alexandria of the 1930s and 1940s, Coctails
and Camels, by Jacqueline
Carol. Ms. Carol, like so many of the inhabitants of Alexandria in
that day, is of Lebanese descent. She describes life among her
privileged class of people. The Lebanese, French, Greeks, Jews and
the English all lived in a world separate from the Egyptians, whom
they used as their servants. Every summer the immigrants would all
leave Alexandria, escaping to Europe, to get away from the thousands
of Egyptians who came in hordes as soon as it got hot, taking over
"their" beaches.
"What
does nostalgia mean?" Mohammed asks.
"A
longing for a time long past that can never come again."
"Oh,
yes! I feel such nostalgia for my childhood when I'm here,"
says Mohammed. "My family used to come here every summer when I
was a child. I have many happy memories from those times."
His
idea of nostalgia is purely Egyptian, something completely different
from that of the Westerners who left Alexandria en
masse forever in the
1950s.
After a quick stop at the library to
buy more books for Peter, we meet our driver, who takes us to the
home of Constantine Kavafy, who is considered one of the finest Greek
poets. He lived in Alexandria most of his life and until his death
in 1933. He is now known as a hero of Greek culture. Peter likes
his poetry, some of which has turned up in song texts. Leonard Cohen,
for instance, used "The God Abandons Antony" to write his
song "Alexandra Leaving". As I read the poem, a shudder
runs through me. Did Cavafy know that thousands of people like him
would end up leaving Alexandria, never to return? Here is the poem:
The God Abandons Antony
an invisible procession going by
with exquisite music, voices,
don't mourn your luck that's failing now,
work gone wrong, your plans
all proving deceptive - don't mourn them uselessly:
as one long prepared, and full of courage,
say goodbye to her, to Alexandria who is leaving.
Above all, don't fool yourself, don't say
it was a dream, your ears deceived you:
don't degrade yourself with empty hopes like these.
As one long prepared, and full of courage,
as is right for you who were given this kind of city,
go firmly to the window
and listen with deep emotion,
but not with the whining, the pleas of a coward;
listen - your final pleasure - to the voices,
to the exquisite music of that strange procession,
and say goodbye to her, to the Alexandria you are losing.
Cavafy's house. |
Inside Cavafy's apartment |
Roman amphitheater |
We
then do the part I chose to do - we drive along the coast a while,
until we find a fast food restaurant where we can have falafel. On
the way, Mohammed tells us about a friend of his who lives in Alexandria.
"She's
twenty-seven," he says, "and her parents are getting
nervous about her finding a husband. She and I took some courses together. She's highly educated, and it's hard for her to
find a man she could imagine marrying. She's turned several down
already, and now both she and her parents are getting a bit desperate
about it." I feel sorry for her. Twenty-seven and over the
hill already in her culture.
Fort Qaitbey. A stranger seems to be trying to pick up his mood. |
"Let's
leave them some time alone," says Peter to me, taking my arm as
we walk away. I look over to them and see what he means. They are
deep in conversation, and from the way they walk, it doesn't look
like they're talking about archaeology. Peter and I enjoy the sound
of water lapping the land and the absence of cars honking. The air
smells clean here, of the sea. The sun is almost warm, but
Alexandria is much cooler and windier than Cairo. After about a half
hour, we return to Mohammed and his friend.
"Sit
down," she says, motioning to chairs. She and Mohammed are
seated close to one another at a table. As soon as we are seated,
she looks at me and asks,
"Do
you like Mr. Mohammed as a man?" She has a knowing smile on her
face. She's a woman. We both know this feeling.
"Yes,"
I answer without hesitation. "And so do you, don't you?"
I love this freedom to say what I think! Thank you for also being so frank. This is going to be
interesting. And now we're exactly where I had hoped to go in this
relationship. Mohammed is a nice man who finds me attractive, but
I'm nothing special for him, and that is a relief. I don't want any
complications, and I don't want any competition for Peter.
She
smiles and caresses Mohammed's arm for a second or two.
"You
know what I think?" I say to her. "Mohammed likes women,
and that feels good to a woman."
Looking
at the two of them, I like the way they look together. She is really
something. She's perfectly made up, and her clothes all match. I
wish I could ask her how she does her eye makeup. But there's
another question I want to ask more.
"May
I ask you a personal question?" I ask.
"Go
ahead."
"Could
you imagine being a second wife to Mohammed?"
She
laughs. "No, he's too old." She gently strokes his cheek with
her beautifully manicured fingers, a half-smile on her face. "You need a shave," she
must be saying to him in Arabic. She turns back to me. "My
parents would never allow it."
So
this is the one her heart is yearning for, I think, but do not say.
It makes so much sense. They would make a very attractive couple. I
think she could be happy with him. But would they
be happy? What about his wife? Their children?
I'm burning to know more. Thinking about all this, imagining Mohammed having her as a second wife, on one level, in this culture, it makes perfect sense to me. She can't find a suitable husband, and she needs to be married. So why not get married to Mohammed, since it's allowed?
I'm burning to know more. Thinking about all this, imagining Mohammed having her as a second wife, on one level, in this culture, it makes perfect sense to me. She can't find a suitable husband, and she needs to be married. So why not get married to Mohammed, since it's allowed?
It's
time to drive back to Cairo. As we leave Alexandria, we see young
people picking up garbage from along the sides of the road.
"University
students do this as a public service," says Mohammed. He's so
full of interesting information. But as soon as we're outside
Alexandria, I ask him,
"Mohammed,
can I ask you a personal question?" Silence for a moment.
"All
right."
"Could
you imagine taking your friend as a second wife?"
I glance over at Peter. He's squirming in his seat, and has turned
his face to the window. The marshy Lake Mariut must be fascinating.
"Naw,"
he waves his hand. "Well, yes, I suppose so," he
continues, "if I didn't have so many children and had more
money."
This
sounds serious! But that's kind of how it looked to me out there.
"What would your wife think, though? Do you think your wife
would like it?"
"Definitely
not."
"Would
your friend like sharing you with your wife?"
"No,
that would be another problem. But she's only a friend, anyway. She's got a fantastic sense of humor. Sometimes she calls me and we chat. She tells me her problems. I'm more like a
father or an older brother for her."
Perhaps,
but more than that too.
"No
- you're more than that to her. I can see that."
I
think Mohammed is enjoying hearing my perspective on this friendship,
and I'm enjoying giving it, even though my husband is slowly dying in
the corner of the car.
We
talk now about all sorts of personal things - something one of his
tourists predicted about his future career, about his effect on
women.
"But
I like men, too," he protests. Yes, and that makes him all the
more desirable to women. He genuinely likes people - all sorts of
people.
I
think I know now why he asked us about Mormons the other day. I wish
I could meet his wife. And his children. I feel sure I would like
them. I hope, for everyone's sake, that Mohammed never makes enough
money to marry his archaeologist friend. But that he makes plenty of
money to support the family he has. I hope he can go to Alexandria
and enjoy some occasional light-hearted flirting with his friend,
staying in his role as older brother-father figure, until she finds a
good, suitable husband. In fact, I've started praying for that. I
don't want Mohammed's wife to have to live with jealousy or
insecurity. I don't want Mohammed to have to live in poverty, pulled
between two women he has to support. And I want the archaeologist to
be able to find a good man and keep him all to herself. I can imagine God wanting this too, so I pray for this, trusting that I am praying in God's will. "Thy will be done," Jesus taught us to pray. This is one of the ways I pray for God to bless Egypt. A trickle at a time.
Our
driver drops Mohammed off. We don't get to meet his wife. We say
farewell, and drive on to our hotel.
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